Saturday, October 26, 2013

Sometimes you can't resist that touch of evil, especially when it's author Danielle DeVor.



Welcome to the final part of my interview with the queen of all that is horrifically Halloween, Ms. Danielle DeVor.

VC: Thanks for making it for our final sit down, Danielle…. Could you please put that knife away?

DD: You did say this was our final interview but leaving it up to me to determine how final it is, is never a good thing.

VC: Well, I’ll raise you one crossbow pointed at your black heart, to your knife.

DD: Well, aren’t we in a mood.

VC: I wish I could cut to commercial break right now. So Danielle, Sorrow’s Point has been released. How exciting has the release process been?

DD: It has been murder, but in a good way. Reception for the Sorrow’s Point has been incredible. It has received a lot of attention and is receiving overwhelmingly fantastic reviews on Amazon and Good Reads. I am very humbled.

VC: Oh… that’s just the arsenic talking. I have read Sorrow’s Point and loved it. The atmosphere of that manor house was so thick that I actually felt the anguish of your characters.

DD: Thank you. Throughout my research on demonic possession, one of the facts that came up time and time again was the atmosphere created by the inflicted. It wasn’t just the person possessed that was impacted by it. It was everyone around them, as demonstrated by the couple featured in my story. Their marriage has gone beyond the brink, pushed over by their poor daughter.

VC: So, why don’t we dive deep into the submission process in this final interview. How did you approach the writing of your query letter? What resources did you use to create a winning query letter? Can you provide the query letter that landed your publisher?

DD: I started reading everything I could online about writing a query letter. When most of this turned out false, I found Absolute Write Water Cooler and some kind writers took me in and helped me really write a solid query letter.


 
Query Letter for Sorrow’s Point:

Not all exorcists are created equal- especially those that are “marked”.

When defrocked ex-priest, Jimmy Holiday, agrees to help an old friend with his sick daughter, Lucy, Jimmy doesn’t expect the horrors that await him. Blackmoor, his friend’s new residence, rests upon the outskirts of the town of Sorrow’s Point. The mansion’s history of magic, mayhem, and death makes it almost a living thing – a haunted mansion straight out of Flowers in the Attic. Jimmy must decide if Lucy is only ill, or if the haunting of the house and her apparent possession is real.

After the house appears to affect him as well; seeing colors of magic when rooms of the house are warded by a witch and his voice taking on a power he doesn’t understand, Jimmy is met by a transient who tells him he has “the Mark”. Whatever being “marked” means, Jimmy doesn’t care. All he wants to do is help Lucy. Helping Lucy means performing the exorcism.

Jimmy knows the ceremony, but it's belief that matters. And if a demon is using a little girl as a meatsuit, his faith had better be strong enough to kick it back to Hell. Otherwise, he might damn them both.

VC: Did you have to write and re-write this query letter to get it right?

DD: Several times. There were moments where I had to force myself to sit down and rework it for the 90th time. Sort of like putting a knife to my own throat.

VC: A position I’m sure you’re familiar with. Can you tell us about your challenges in getting your first book published?

DD: Well, sadly enough, Tail of the Devil was finished right when the market for vampire books got saturated after the Twilight craze. I couldn’t get an agent to take it on, though many had good things to say about it. Finally, I decided to query small publishers that published YA and found a home for it with Eirelander Publishing.

VC: What sort of changes did your publisher make you do to your manuscript? Did they change the title of the book, restrict the page count, and change plot/ character?

DD: One change was that I had to cut down on some of the foul language. My MC is a street kid, so he cusses. But, the editor thought I had a little too much and had me tone it down a little. The title was originally “Riding on the tail of the Devil” but the editor though that too long, so it was shortened to Tail of the Devil. The plot and characters were untouched.

VC: How long did it take you to publish your first book, after you started trying?

DD: Roughly one year. The publisher, Eirelander, let me know they wanted it 6 weeks after I queried them about the book.

VC: Synopsis: Love them or hate them? Why? How on earth do you write an effective synopsis?

DD: I am not a fan of writing a synopsis. Mostly, because people make a judgment off the query letter more often than a synopsis.

The best advice I ever got was to think of a synopsis like you would think of describing a movie to someone. Add all the key action points, but keep it simple enough so that who you are talking to can understand the plot.

VC: What kills me about the synopsis is that you have to create several different versions. No one in the publishing industry seems to embrace any sort of standards regarding this. You have one agent requesting a single page synopsis, then a publisher requests a ten page synopsis, which is different than the three pager. It’s very frustrating.

DD: I agree. It’s like having to write that senior thesis, over and over again.

VC: If you had to go back and do it all over, is there any aspect of your novel or getting it published that you would change?

DD: I would write the book faster. Who knows what would have happened if I got it out there more quickly.

VC: The first edit phase, did they send it back for tons of corrections or just a few?

DD: I would describe my edits as medium on this book. I did have things to change, but I was able to complete the first round within a few days.

VC: Were you shocked to find out the amount of work/needed to get your book in shape?

DD: Not really. I had harder beta reads than what I saw in my edits.

VC: What were the most common mistakes found in the rougher version of your work?

DD: Overuse of certain words that even my betas didn’t catch.

VC: For me, I was told adverbs weren’t my best friends.

DD: They’re not. They are sneaky little bitches.

VC: Some say a book is like a child to an author. Were you able not to feel the emotional impact associated with your editor/publisher’s suggested changes to your manuscript? Did you ever get frustrated with the editing process?

DD: I was lucky in that my editor loved my book. So, her changes, I knew, were coming from a good place. There were some minor things that I disagreed on and later ended up changing. The frustration wasn’t with the editing process. It was myself. I tend to always want to be early, and I’ll work myself to death to reach an imaginary deadline.

VC: What do you think about the publishing world today?

DD: I think it’s in great upheaval. There is a sense of flux because of the e-book market expanding.

VC: I think the new crop of Indie authors and boutique publishers, like our beloved Crescent Moon Press, have rewritten the rules and the big publishing houses are struggling with change.

DD: Very much so.

VC: What was going through your mind when you found out you landed a publisher? Can you tell us about the very moment you found out you had a publisher interested in your work?

DD: I was scared. Then, I read the contract, and got even more scared. Though, it was nice to know that I didn’t suck after all and Mathias was good enough to get out into the world.

VC: I think my reaction was, “Holy SHIT!” That was followed by a lot of “Holy Shit”. When your first book was published did it feel rewarding as you thought it would be?

DD: It was honestly a stressful time. A lot was resting on my shoulders- mostly put there by myself. It is also hard to get press when you are with a small publisher, so it’s important for you to try to get people to know who you are.

VC: Good point. I can’t stress enough how important networking is. Also, I think people get so weighed down with the whole forest when they should be breaking it apart into smaller section of trees.

DD: Exactly. Start locally and work your way out. Do this while working the social media sphere. Working on a local and national level can be done quite successfully if planned correctly.

VC: How many times did you have to submit to get published?

DD: I subbed Tail of the Devil to 4 different publishers, all at one time. So, I guess you could say I only had one round. I subbed Sorrow’s Point to only 3 publishers, and Crescent Moon Press took it on that first round.

VC: Were their any resources that you would recommend for other's to use to get published?

DD: ASMSG- they are a great writing group that will help with publicity on Facebook, Twitter, and Goodreads. And, Absolute Write Water Cooler.

VC: Tell us about your publisher, Crescent Moon Press. How has your experience been with them.

DD: So far, it’s been great. Sorrow’s Point was originally supposed to be published in July 2013, but Steph thought, giving the subject matter, October and the Halloween season would be a better fit. So, October 15, 2013 became my official release date for Sorrow’s Point.

VC: Do you believe an agent is necessary to get published?

DD: No, I don’t. Now, to get with a big publisher, they are helpful. But to get published with a small press? I don’t think they are necessary.

VC: Let’s discuss cover design. How did the process work? Were you happy with the end result of your novel’s cover?

DD: For Tail of the Devil, cover design happened after I got the final edits done. They had me fill out a form with thoughts, and then, the cover came out being something totally different from what I expected, but I really liked what they came up with. And yes, I loved it. I liked the idea of showing Mathias as victorious, rather than a scared kid.

VC: Danielle, thank you for stopping by my blog. Her book, Sorrow’s Point has just been released and is available on Amazon.com, barnesandnoble.com. I’ve read it and thoroughly enjoyed it. I’m sure the readers out there will enjoy it to.

DD: Thanks again for having me.

VC: You can also visit Danielle online at http://danielledevor.wordpress.com.  Her additional links are below.

Twitter: @sammyig